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Igor Stravinsky was a refugee living
in Switzerland when he composed L'Histoire du Soldat. Not only
had he seen many close friends and relations killed by the First World
War, but the Russian Revolution of 1917 had deprived him of his income.
As he gathered with his fellow countrymen he found himself deeply
affected by the abyss of war and the dislocation that appeared all
around him.
About this time he was introduced to the Swiss writer C.F.Ramuz who
was to become his good friend and collaborator. The two poured over
old Russian Folk tales and were inspired by the story of a soldier who
tricks the devil, makes him drink too much vodka, and leaves victorious.
In the hands of these two, it became, rather, the adventures of a Faustian
deserter and the devil who eventually robs him of his soul. The many
references to the inability to cross over the border, or to the "Mother"
that doesn't know him, must surely refer to Stravinsky and his compatriots
and their plight as refugees from Mother Russia.
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The first and subsequent performances
of "L'Histoire du Soldat" in 1918 were a huge success despite the ongoing war
and the outbreak of a worldwide flu epidemic.
The Soldier's March is the overture to the work. From the beginning the violin
is obviously the instrument of the devil in the hands of our soldier. The Little
Concert and the Three Dances (Tango, Waltz, and Ragtime) are the most complicated
of all the pieces. The Tango was very popular in Europe at this time, but the
Ragtime was quite new, Stravinsky only just having heard Jazz for the first
time before the creation of this work. The Suite ends grandly with The Devil's
Dance and the Devil, although temporarily setback,
returns triumphant.
In our collaborative rendition of L'Histoire du Soldat you will see a mixture
of humans in costume, shadow and light puppets, as well as wooden, hand-carved
Marionettes.
The narrator takes on the many voices as our soldier weaves his way through
his ordeals. The musicians will masterfully take us all back to the world of
Europe in the year 1918 when many a soldier saw his choices in just as stark
terms as our soldier.
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